Department of English / en ‘Write the stories you want to read’: SJ Sindu, author of Blue-Skinned Gods /news/write-stories-you-want-read-sj-sindu-author-blue-skinned-gods <span class="field field--name-title field--type-string field--label-hidden">‘Write the stories you want to read’: SJ Sindu, author of Blue-Skinned Gods</span> <div class="field field--name-field-featured-picture field--type-image field--label-hidden field__item"> <img loading="eager" srcset="/sites/default/files/styles/news_banner_370/public/sarahbodri2020-SJSINDU-2336-2-crop.jpg?h=afdc3185&amp;itok=YF9qSNo6 370w, /sites/default/files/styles/news_banner_740/public/sarahbodri2020-SJSINDU-2336-2-crop.jpg?h=afdc3185&amp;itok=Ie5NhJ2_ 740w, /sites/default/files/styles/news_banner_1110/public/sarahbodri2020-SJSINDU-2336-2-crop.jpg?h=afdc3185&amp;itok=coVLimFp 1110w" sizes="(min-width:1200px) 1110px, (max-width: 1199px) 80vw, (max-width: 767px) 90vw, (max-width: 575px) 95vw" width="740" height="494" src="/sites/default/files/styles/news_banner_370/public/sarahbodri2020-SJSINDU-2336-2-crop.jpg?h=afdc3185&amp;itok=YF9qSNo6" alt="&quot;&quot;"> </div> <span class="field field--name-uid field--type-entity-reference field--label-hidden"><span>lanthierj</span></span> <span class="field field--name-created field--type-created field--label-hidden"><time datetime="2021-12-10T10:54:57-05:00" title="Friday, December 10, 2021 - 10:54" class="datetime">Fri, 12/10/2021 - 10:54</time> </span> <div class="clearfix text-formatted field field--name-field-cutline-long field--type-text-long field--label-above"> <div class="field__label">Cutline</div> <div class="field__item">(Photo by Sarah Bodri)</div> </div> <div class="field field--name-field-author-reporters field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/authors-reporters/don-campbell" hreflang="en">Don Campbell</a></div> </div> <div class="field field--name-field-topic field--type-entity-reference field--label-above"> <div class="field__label">Topic</div> <div class="field__item"><a href="/news/topics/our-community" hreflang="en">Our Community</a></div> </div> <div class="field field--name-field-story-tags field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/tags/department-english" hreflang="en">Department of English</a></div> <div class="field__item"><a href="/news/tags/literature" hreflang="en">Literature</a></div> <div class="field__item"><a href="/news/tags/u-t-scarborough" hreflang="en">ֱ Scarborough</a></div> </div> <div class="clearfix text-formatted field field--name-body field--type-text-with-summary field--label-hidden field__item"><p>When <strong>SJ Sindu </strong>was younger, she couldn’t wait for her annual family vacations to Scarborough. &nbsp;</p> <p>“Scarborough was a completely different world to where I grew up,” says Sindu, an assistant professor in the department of English at ֱ Scarborough.</p> <p><img alt="Blue Skinned Gods cover" src="/sites/default/files/91B001CawNL.jpg" style="margin-left: 10px; margin-right: 10px; float: left; width: 250px; height: 375px;">“You could go to Tamil stores, get Tamil food, and just be surrounded by Tamilness. That was very meaningful to me.”</p> <p>She says her early experiences – growing up in a conflict zone, immigrating to the U.S. and exploring her own identity as a Tamil living in the mostly white, suburban town of Amherst, Mass.&nbsp;– were instrumental in shaping her voice as an author.</p> <p>Her first novel, <em>Marriage of a Thousand Lies</em>, tells the story of Lucky and her husband Krishna, who married to hide the fact they are gay from their conservative Sri Lankan-American&nbsp;families.&nbsp;Her new novel, <em>Blue-Skinned Gods</em>, follows Kalki, a boy born with blue skin and black blood who is believed to be the reincarnation of Vishnu. He begins to doubt his divinity as his personal life and relationships fall apart, then moves to New York where he becomes embedded in the underground punk scene. &nbsp;</p> <p>Published in Canada by Penguin Random House, the book was described by Roxane Gay as a&nbsp;brilliant novel&nbsp;“that will take hold of you and never let you go”&nbsp;and received <a href="https://www.theguardian.com/books/2021/oct/31/blue-skinned-gods-by-sj-sindu-review-a-moving-tale-of-the-allure-of-superstition">glowing reviews in <em>The Guardian</em></a> and <a href="https://www.nytimes.com/2021/11/16/books/review/blue-skinned-gods-sj-sindu-the-teller-of-secrets-bisi-adjapon-the-island-of-missing-trees-elif-shafak.html"><em>The New York Times</em></a> among others. It&nbsp;will <a href="https://www.eventbrite.ca/e/book-launch-sj-sindus-blue-skinned-gods-naked-heart-festival-tickets-224486363757">launch at Glad Day Books as part of their&nbsp;Naked Heart Festival</a>&nbsp;on Dec.&nbsp;18.</p> <p><em>UTSC News</em> spoke to Sindu about her early influences and how faith, identity and family continue to shape her writing.&nbsp;</p> <hr> <p><strong>How have your early influences shaped you as a writer?</strong></p> <p>I was born and lived in the northeast part of Sri Lanka until I was seven years old. A lot of my childhood and early years were shaped by the war, and being a Tamil living in Jaffna during the war.</p> <p>The other was immigrating to the U.S. I was very much isolated as a kid. There were other Indians around, but there weren’t Sri Lankan Tamils. So I read a lot of books and escaped into stories. It was a way to cope with being taken out of a war situation and put into this very suburban American life without any peers or ways to explore my own identity.</p> <p><strong>Did you always want to be a writer?</strong></p> <p>I didn’t really start writing until I was in university. In fact, I started out in computer science and then fell in love with creative writing. I just loved the potential that writing fiction had for communicating the ideas that were obsessing me.</p> <p><strong>Where did the inspiration for <em>Blue-Skinned Gods</em> come from?</strong></p> <p>Partly the inspiration came because I lost my faith in religion. I was raised Hindu, and as a teenager I started to lose my faith and began to explore atheism. At the same time, my family became increasingly religious. So I wanted to explore that relationship.&nbsp;</p> <p>I also saw a documentary by Vikram Ghandi called <em>Kūmāré</em> where he pretends to be an Indian guru and ends up gathering this large following. I was also closely watching the growing popularity of the BJP, a right-wing nationalist party in India,&nbsp;and interested in exploring what it meant to have a strain of fundamentalist Hindus on the rise in India and how that might affect the region.</p> <p><strong>In your first novel, <em>Marriage of a Thousand Lies</em>, you also explore themes of identity, sexuality, faith and family. Why do those themes inspire your writing?</strong></p> <p>There are things I’m still trying to work out in my own life. I’m trying to figure out my relationship with my family, especially my extended family now that I’m living in Toronto. How to be part of a family that fundamentally rejects parts of who I am – the queerness, the atheism, the progressive beliefs I hold. Negotiating that with the older family members has been interesting. I’m still trying to figure it out, and I think I explore those things in my writing.</p> <p><strong>Did you have a favourite book, or one that influenced you as a writer?</strong></p> <p>There are two. The first is <em>The Things They Carried</em> by Tim O’Brien. It was the first novel I read where I realized that I should and could write about my experiences with war. It’s the book that made me want to be a writer.</p> <p>The second is <em>Funny Boy</em> by Shyam Selvadurai. For the first time I saw Tamilness and queerness explored together, and that was very important to see, especially in my development as a writer.</p> <p>What advice do you have for your students and aspiring writers?</p> <p>Write the stories you want to read. Many of my students at UTSC are racialized, many are from immigrant families, and they haven’t read a lot of stories that reflect that experience. I hope they can be inspired to write about their own experiences.</p> </div> <div class="field field--name-field-news-home-page-banner field--type-boolean field--label-above"> <div class="field__label">News home page banner</div> <div class="field__item">Off</div> </div> Fri, 10 Dec 2021 15:54:57 +0000 lanthierj 171640 at ֱ's Randy Boyagoda discusses his new novel, inspired by Dante and set in small-town Indiana /news/u-t-s-randy-boyagoda-discusses-his-new-novel-inspired-dante-and-set-small-town-indiana <span class="field field--name-title field--type-string field--label-hidden">ֱ's Randy Boyagoda discusses his new novel, inspired by Dante and set in small-town Indiana</span> <div class="field field--name-field-featured-picture field--type-image field--label-hidden field__item"> <img loading="eager" srcset="/sites/default/files/styles/news_banner_370/public/Randy%20Boyagoda-crop.jpg?h=afdc3185&amp;itok=nesBFHnc 370w, /sites/default/files/styles/news_banner_740/public/Randy%20Boyagoda-crop.jpg?h=afdc3185&amp;itok=HGJbQhcI 740w, /sites/default/files/styles/news_banner_1110/public/Randy%20Boyagoda-crop.jpg?h=afdc3185&amp;itok=BSvPmvVT 1110w" sizes="(min-width:1200px) 1110px, (max-width: 1199px) 80vw, (max-width: 767px) 90vw, (max-width: 575px) 95vw" width="740" height="494" src="/sites/default/files/styles/news_banner_370/public/Randy%20Boyagoda-crop.jpg?h=afdc3185&amp;itok=nesBFHnc" alt="Randy Boyagoda"> </div> <span class="field field--name-uid field--type-entity-reference field--label-hidden"><span>Christopher.Sorensen</span></span> <span class="field field--name-created field--type-created field--label-hidden"><time datetime="2021-09-20T10:40:48-04:00" title="Monday, September 20, 2021 - 10:40" class="datetime">Mon, 09/20/2021 - 10:40</time> </span> <div class="clearfix text-formatted field field--name-field-cutline-long field--type-text-long field--label-above"> <div class="field__label">Cutline</div> <div class="field__item">(Photo by Derek Shapton)</div> </div> <div class="field field--name-field-author-reporters field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/authors-reporters/sean-mcneely" hreflang="en">Sean McNeely</a></div> </div> <div class="field field--name-field-topic field--type-entity-reference field--label-above"> <div class="field__label">Topic</div> <div class="field__item"><a href="/news/topics/our-community" hreflang="en">Our Community</a></div> </div> <div class="field field--name-field-story-tags field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/tags/creative-writing" hreflang="en">creative writing</a></div> <div class="field__item"><a href="/news/tags/department-english" hreflang="en">Department of English</a></div> <div class="field__item"><a href="/news/tags/faculty-arts-science" hreflang="en">Faculty of Arts &amp; Science</a></div> <div class="field__item"><a href="/news/tags/jackman-humanities-institute" hreflang="en">Jackman Humanities Institute</a></div> </div> <div class="clearfix text-formatted field field--name-body field--type-text-with-summary field--label-hidden field__item"><p>Though 700 years have passed since the death of the great Medieval poet Dante Alighieri, author of <em>The Divine Comedy</em>,&nbsp;<strong>Randy Boyagoda</strong>&nbsp;believes the poem&nbsp;still has the power to connect with anyone who has lost their way.</p> <p><em>Dante's Indiana</em> is Boyagoda's second book in a planned trilogy following <em>Original Prin</em>, a satirical novel published in 2018. "It's a loose trilogy,”&nbsp;says Boyagoda, a professor in the department of English&nbsp;in the Faculty of Arts &amp; Science&nbsp;and&nbsp;vice dean, undergraduate.</p> <p>“Readers can come to this book not knowing about its predecessor and be totally fine, and just engage with this story.”&nbsp;</p> <p><img alt src="/sites/default/files/dante%27s-indiana-inside-crop.jpg" style="margin-left: 10px; margin-right: 10px; float: left; width: 300px; height: 466px;"></p> <p>The trilogy loosely mirrors the three parts of&nbsp;<em>The Divine Comedy:&nbsp;</em>Inferno&nbsp;(hell),&nbsp;Purgatorio&nbsp;(purgatory) and&nbsp;Paradiso&nbsp;(heaven),&nbsp;charting Dante’s path to God.&nbsp;&nbsp;</p> <p>Prin, the main character in&nbsp;<em>Dante’s Indiana</em>&nbsp;is an English professor&nbsp;who consults on a Dante-themed amusement park.&nbsp;</p> <p><em>Original Prin</em> was in a sense&nbsp;Inferno.&nbsp;<em>Dante’s Indiana</em>&nbsp;is&nbsp;Purgatorio, “and then we'll see what happens when I write the third novel in terms of&nbsp;Paradiso,” Boyagoda says.</p> <p>In&nbsp;<em>Dante’s Indiana</em>, Prin is a middle-aged Sri Lankan-Canadian professor of English from Toronto who finds himself in a type of personal purgatory. He’s stuck, distanced physically and emotionally<strong>&nbsp;</strong>&nbsp;from his wife and kids, and in need of work, money and purpose.</p> <p>He accepts an offer to consult on a Christian amusement park in Terre Haute, a rust belt Indiana city. The park is the retirement project of a wealthy packaging company owner and the only profitable business in town.</p> <p>Prin quickly becomes involved in the complicated lives of his co-workers and in the wider struggles of their opioid-ravaged community while trying to reconcile with his family and his own religious beliefs.</p> <p>Boyagoda says he still finds time to write despite having a busy academic career.&nbsp;</p> <p>“Since graduate school, people have been telling me I can't do both, that I can't have this creative life alongside my academic life,” he says. “But I’m very fortunate, in that I've always been able to do it.”</p> <p>Unlike some writers, Boyagoda says he doesn't require much sleep or structure to write. It’s not uncommon for him to wake at 4 or 5 in the morning and write before the school day begins. He also doesn't need to stick to a specific routine to be creative.</p> <p>“Whatever I’m doing in my life and work as a university administrator and professor,” he says, “I’m also, somewhere inside, always still imagining, still writing, still telling a story.”</p> <p>The inspiration for Boyagoda's trilogy came to him unexpectedly –&nbsp;while cleaning his car.&nbsp;</p> <p>“I was vacuuming potato chips out of our car on a September morning in 2016 and I was listening to a BBC Radio adaptation of&nbsp;<em>The Divine Comedy</em>,” he says. “I’ve studied and read and taught it, but I wouldn’t say it had a significant relevance to my life and work before that moment.”</p> <p>Listening to that broadcast, Boyagoda was struck by the narrator’s heavy breathing while reading the Inferno, portraying Dante as he made his way down through hell, traveling down an inverted mountain, passing over boulders and lakes of fire.</p> <p>“I took for granted the physicality of the poem,” says Boyagoda. “That’s when I realized, ‘You know what we all need? A hiker’s guide to Dante.”</p> <p>He proposed this idea as a&nbsp;<a href="https://humanities.utoronto.ca/research/scholars-in-residence">Scholars-in-Residence project</a> at the Jackman Humanities Institute. The following year, he worked with five Arts &amp; Science students who joined Boyagoda in poring over old manuscripts and early visualizations. The result was a map of Inferno unlike any other, with detailed locations and descriptions of Dante’s journey.</p> <p>“But then at some point, the hustling novelist in me took over from the respectable scholar,” says Boyagoda. “And I thought, ‘imagine this is a theme park.’”</p> <p>As a professor of American literature, Boyagoda spends a lot of time thinking about modern and contemporary American literature, culture and public life. “And Dante’s vision of human experience, in ordinary and ultimate ways together, seemed like a perfect way in to write about America right now,” he says.</p> <p>That examination of American life focuses on the town’s opioid crisis paired with economic struggles.</p> <p>In&nbsp;<em>Dante’s Indiana</em>,&nbsp;the son of the packaging company’s owner realizes there’s only one way to keep the family business afloat: By packaging opioids for local distribution, although many of the families who work there have opioid-addicted children or have lost children to overdoses.</p> <p>“It's a perfect business plan, a high-demand product that keeps everybody employed,” Boyagoda says. “It also seems like a perfect ‘Dantean situation'. The premise and ensuing problems let me explore all of the genuine and very serious human struggles of the novel’s characters.</p> <p>“The big question of the novel then becomes, which one is going to save this town? The Dante theme park or the opioid-packaging local company? And how does Prin help the people around him, either way, and at the same time find his way home to his family?”</p> <p>When readers find the answers to these questions, Boyagoda hopes they are able to identify with the story, like they do with&nbsp;<em>The Divine Comedy</em>.</p> <p>“One of the great things about Dante is that no matter who you are, you can find yourself in the poem,” Boyagoda says. “It famously begins, ‘In the middle of the journey of our life, I came to myself, in a dark wood where the direct way was lost.’”</p> <p>“You've likely had that moment of feeling lost in the middle of your life, and you look for help – we all do,” Boyagoda says.</p> <p>“My novel is very much informed by Dante, but it isn’t an homage to Dante. Instead, it’s part of a larger writing project of mine which, in this case, is very much about what it means to find yourself in a story where you weren't expecting to find yourself. With&nbsp;<em>Dante’s Indiana</em>, I hope readers find themselves in this story in ways they didn't expect.”</p> </div> <div class="field field--name-field-news-home-page-banner field--type-boolean field--label-above"> <div class="field__label">News home page banner</div> <div class="field__item">Off</div> </div> Mon, 20 Sep 2021 14:40:48 +0000 Christopher.Sorensen 170434 at Basketball, charity, family: Raptors President Masai Ujiri speaks at ֱ's Black History Luncheon /news/basketball-charity-family-raptors-president-masai-ujiri-speaks-2019-black-history-luncheon <span class="field field--name-title field--type-string field--label-hidden">Basketball, charity, family: Raptors President Masai Ujiri speaks at ֱ's Black History Luncheon</span> <div class="field field--name-field-featured-picture field--type-image field--label-hidden field__item"> <img loading="eager" srcset="/sites/default/files/styles/news_banner_370/public/0J5A0011-Edit-Lead.JPG?h=afdc3185&amp;itok=Z5884GOb 370w, /sites/default/files/styles/news_banner_740/public/0J5A0011-Edit-Lead.JPG?h=afdc3185&amp;itok=kUe1XpQc 740w, /sites/default/files/styles/news_banner_1110/public/0J5A0011-Edit-Lead.JPG?h=afdc3185&amp;itok=pMapghR_ 1110w" sizes="(min-width:1200px) 1110px, (max-width: 1199px) 80vw, (max-width: 767px) 90vw, (max-width: 575px) 95vw" width="740" height="494" src="/sites/default/files/styles/news_banner_370/public/0J5A0011-Edit-Lead.JPG?h=afdc3185&amp;itok=Z5884GOb" alt="Photo of Masai Ujiri on stage"> </div> <span class="field field--name-uid field--type-entity-reference field--label-hidden"><span>perry.king</span></span> <span class="field field--name-created field--type-created field--label-hidden"><time datetime="2019-03-01T17:01:19-05:00" title="Friday, March 1, 2019 - 17:01" class="datetime">Fri, 03/01/2019 - 17:01</time> </span> <div class="clearfix text-formatted field field--name-field-cutline-long field--type-text-long field--label-above"> <div class="field__label">Cutline</div> <div class="field__item">Toronto Raptors President Masai Ujiri sat down with Glen Boothe from the Division of University Advancement to answer questions submitted by ֱ staff and students (photo by Perry King)</div> </div> <div class="field field--name-field-author-reporters field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/authors-reporters/perry-king" hreflang="en">Perry King</a></div> </div> <div class="field field--name-field-topic field--type-entity-reference field--label-above"> <div class="field__label">Topic</div> <div class="field__item"><a href="/news/topics/city-culture" hreflang="en">City &amp; Culture</a></div> </div> <div class="field field--name-field-story-tags field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/tags/black-history-month" hreflang="en">Black History Month</a></div> <div class="field__item"><a href="/news/tags/department-english" hreflang="en">Department of English</a></div> <div class="field__item"><a href="/news/tags/division-university-advancement" hreflang="en">Division of University Advancement</a></div> <div class="field__item"><a href="/news/tags/faculty-arts-science" hreflang="en">Faculty of Arts &amp; Science</a></div> <div class="field__item"><a href="/news/tags/hart-house" hreflang="en">Hart House</a></div> <div class="field__item"><a href="/news/tags/president-meric-gertler" hreflang="en">President Meric Gertler</a></div> <div class="field__item"><a href="/news/tags/u-t-mississauga" hreflang="en">ֱ Mississauga</a></div> <div class="field__item"><a href="/news/tags/u-t-scarborough" hreflang="en">ֱ Scarborough</a></div> </div> <div class="clearfix text-formatted field field--name-body field--type-text-with-summary field--label-hidden field__item"><p>Other than his parents, who taught him to be fierce, competitive and kind, Masai Ujiri singles out one other important role model in his life: Nelson Mandela, who he once met.</p> <p>“It dawned on me that there’s something this man has done that we’ll probably never see in our generation,” Ujiri, the president of the Toronto Raptors, said of Mandela’s leadership during South Africa's apartheid era during a keynote speech at the University of Toronto’s Black History Luncheon on Thursday.</p> <p>The NBA executive and founder of the global charity Giants of Africa added he was deeply moved by his encounter with Mandela. &nbsp;</p> <p>“[It] really inspires me to continue to honour him [so] more youth – my daughter, my son, all you young kids here – will continue to know the work that this man has done.”</p> <p>Ujiri’s appearance was the focal point of the 17<sup>th</sup>&nbsp;annual luncheon event at Hart House, capping four weeks of Black History Month events at the university. The luncheon was organized by a team of volunteers led by&nbsp;<strong>Glen Boothe</strong>, who has worked at ֱ’s division of University Advancement for two decades.</p> <p>The packed luncheon brought together students from the York Region District School Board, local politicians and Ambassador Adeyinka Olatokunbo Asekun, the Nigerian high commissioner. ֱ President <strong>Meric Gertler</strong>, <strong>Kelly Hannah-Moffat</strong>, vice-president of human resources and equity, and&nbsp;<strong>David Palmer</strong>, vice-president of advancement, were also in attendance.</p> <p><img alt class="media-image attr__typeof__foaf:Image img__fid__10342 img__view_mode__media_large attr__format__media_large" height="453" src="/sites/default/files/0J5A9962-Edit.JPG" typeof="foaf:Image" width="680" loading="lazy"></p> <p><em>Hart House's Great Hall was packed for the 2019 Black History Luncheon, featuring keynote speaker&nbsp;Masai Ujiri (photo by Perry King)</em></p> <p>Boothe explained the purpose behind the luncheon, which was livestreamed to all three ֱ campuses and featured a steel pan artist and gospel singer. &nbsp;</p> <p>“For some people, it was not only a chance to meet Masai, but it was a learning experience,” said Boothe.</p> <p>“We want it to be a fun event. We also want it to be an outreach event – to go across cultures and to be educational so that people can appreciate what Black culture truly is rather than what is in the headlines.”</p> <p>Past keynote speakers have included Scarborough MPP <strong>Mitzi Hunter</strong>,&nbsp;<strong>George Elliott Clarke</strong>, renowned poet and professor in the department of English, and Dwight Drummond, a CBC Toronto news anchor.</p> <p>Ujiri also participated in a question and answer session. The pre-submitted&nbsp;questions included how he navigates the worlds of business and philanthropy as a Black man, and what life was like for him growing up in northern Nigeria.</p> <p>He was also asked how he manages his time between the Toronto Raptors, where he is the first African-born franchise president, and his charity, Giants of Africa, which he founded in 2016.</p> <p>Ujiri said he was advised by many in basketball circles to maintain focus&nbsp;in order to be more effective.</p> <p>“I thought about it very carefully because if you try to do everything all at once, you can’t serve anybody,” he said.</p> <p>After conversations with his wife, Ujiri said he established clear priorities. “Outside of the Raptors&nbsp;–&nbsp;and winning&nbsp;–&nbsp;family comes first,” he said.</p> <p>“I think it’s very important, family in our lives, and then it’s the Raptors and what we do … and winning,” he said, repeating the phrase “and winning” for third or fourth time in his remarks to a blend of laughter and applause.</p> <p><img alt class="media-image attr__typeof__foaf:Image img__fid__10345 img__view_mode__media_large attr__format__media_large" height="453" src="/sites/default/files/0J5A0025-Edit.JPG" typeof="foaf:Image" width="680" loading="lazy"></p> <p><em>Masai Ujiri takes time to pose for a picture with the high school students in attendance (photo by Perry King)</em></p> <p>Ujiri also highlighted his work with Giants of Africa and&nbsp;said he was grateful for being invited to speak before so many&nbsp;young people.</p> <p>“To see such beautiful, young, diverse people makes me happy,” he said.</p> <p>Ujiri asked the younger members of the audience to think about how they could change the world and affect others.</p> <p>“The youth is the way for the world to go, whether that’s this generation, Generation Z or whoever comes next&nbsp;–&nbsp;my daughter and son,” he said.</p> <p>He wrapped up his remarks with advice about taking pride in yourself.</p> <p>“Be proud of who you are, of where you come from. Stand strong,” he said. “I’m proud to be Nigerian, I’m proud to represent Toronto.”</p> </div> <div class="field field--name-field-news-home-page-banner field--type-boolean field--label-above"> <div class="field__label">News home page banner</div> <div class="field__item">Off</div> </div> Fri, 01 Mar 2019 22:01:19 +0000 perry.king 154467 at Video games deconstructed: ֱ English course takes a critical look at game narratives, designs /news/video-games-deconstructed-u-t-english-course-takes-critical-look-game-narratives-designs <span class="field field--name-title field--type-string field--label-hidden">Video games deconstructed: ֱ English course takes a critical look at game narratives, designs</span> <div class="field field--name-field-featured-picture field--type-image field--label-hidden field__item"> <img loading="eager" srcset="/sites/default/files/styles/news_banner_370/public/video-games-course%20%281%29.jpg?h=afdc3185&amp;itok=sSE7mGXe 370w, /sites/default/files/styles/news_banner_740/public/video-games-course%20%281%29.jpg?h=afdc3185&amp;itok=zJEp37t0 740w, /sites/default/files/styles/news_banner_1110/public/video-games-course%20%281%29.jpg?h=afdc3185&amp;itok=K8jXBxtJ 1110w" sizes="(min-width:1200px) 1110px, (max-width: 1199px) 80vw, (max-width: 767px) 90vw, (max-width: 575px) 95vw" width="740" height="494" src="/sites/default/files/styles/news_banner_370/public/video-games-course%20%281%29.jpg?h=afdc3185&amp;itok=sSE7mGXe" alt="Photo of person playing a video game"> </div> <span class="field field--name-uid field--type-entity-reference field--label-hidden"><span>Christopher.Sorensen</span></span> <span class="field field--name-created field--type-created field--label-hidden"><time datetime="2018-12-21T12:22:45-05:00" title="Friday, December 21, 2018 - 12:22" class="datetime">Fri, 12/21/2018 - 12:22</time> </span> <div class="clearfix text-formatted field field--name-field-cutline-long field--type-text-long field--label-above"> <div class="field__label">Cutline</div> <div class="field__item">In this photo illustration a gamer plays the video game “Red Dead Redemption 2,” which raked in US$725 million in sales during the first three days following its launch (photo by Chesnot/Getty Images)</div> </div> <div class="field field--name-field-author-reporters field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/authors-reporters/elaine-smith" hreflang="en">Elaine Smith</a></div> </div> <div class="field field--name-field-topic field--type-entity-reference field--label-above"> <div class="field__label">Topic</div> <div class="field__item"><a href="/news/topics/our-community" hreflang="en">Our Community</a></div> </div> <div class="field field--name-field-story-tags field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/tags/department-english" hreflang="en">Department of English</a></div> <div class="field__item"><a href="/news/tags/humanities" hreflang="en">Humanities</a></div> <div class="field__item"><a href="/news/tags/university-toronto-mississauga" hreflang="en">University of Toronto Mississauga</a></div> <div class="field__item"><a href="/news/tags/video-games" hreflang="en">Video Games</a></div> </div> <div class="clearfix text-formatted field field--name-body field--type-text-with-summary field--label-hidden field__item"><p>On Fridays around 3 p.m., when many University of Toronto Mississauga students are daydreaming about the weekend, <strong>Siobhan O’Flynn </strong>can look around her classroom and see almost a full house of unusually attentive undergraduates.</p> <p>O’Flynn, an assistant professor, teaching stream, leads an English course called “Video Games”, and she’s working with a generation whose lives are steeped in digital media.</p> <p>“With the uptake of social media, there’s a massive online community playing games and, with smartphones nearly ubiquitous, the number of mobile games players is growing,” says O’Flynn.</p> <p>Her students do play games as part of the course syllabus, but the class goes far beyond gaming for pure pleasure. Students explore the narrative structure of games in terms of plot, characters, design and how games differ from novels; they learn about the evolution of games, the existing genres and various gaming platforms.&nbsp;They also consider the gaming experience&nbsp;and they explore the emergence of game studies as a critical practice. The students top it all off by creating their own story-based games.</p> <p>“Students learn about mental models and experience design, which are key in game design,” says O’Flynn. “They learn how play-testing, game mechanics and user-experience design mesh with literary analysis so they can design really awesome games.</p> <p>“How you play a game and what you see is much more variable than what happens in a literary text.”</p> <p><strong>Alexis Cochrane</strong>, a fourth-year double major in English and communication, culture and information technology, says she has become critical of video games since taking the course. “The course has taught me to consider video games as both a designer and as a literary scholar,” she says.</p> <p>As with literature, there can be a contrast between the creation itself and its messages or experiences. The video game design can be gorgeous and&nbsp;full of stunning images, but the story can lead the player through war and destruction.</p> <p>“They can be beautiful esthetically, but gory and violent things can happen. Games are systems designed to make us feel things.”</p> <p>The course also addresses the evolution of video games.</p> <p>“We look at arcade games and early computer games and see the continuing increase in processing power,”&nbsp;says O’Flynn. “Today’s games are much more complex and visually stunning.”</p> <p>O’Flynn also teaches students about the gaming industry and she ensures that they understand how games are designed to addict players.</p> <p>“Games generate more revenue than films or literary texts,” she says. “Students need digital literacy skills to understand how the creators do what they do and how it affects us. This opens up a whole different layer of critical inquiry because other media aren’t designed in the same way to get us to do things.</p> <p>“It’s very important to have this understanding because children are playing games starting at a very young age.”</p> <p>O’Flynn adds that students' affinity for video games means “They love to get into discussions that analyze various games and they enjoy creating and testing each other’s creations and offering suggestions.”</p> <p>Cochrane agrees. She says being taught how to make game was “transformative” for a writer like herself who wasn't familiar with&nbsp;video game design before taking the course.</p> <p>“Professor O’Flynn taught us how to be critical of games as literature and then recreate these aspects into our own games,” she says.&nbsp;“It gave students the ability to take our new-found understanding and knowledge of the games and create our own.</p> <p>“It is an essential hands-on portion of the course that offers a new layer of contextual understanding.”</p> <p>Thanks to courses such as this, game designers will need to prepare for a new group of consumers who are critical, sophisticated and demand high quality from their gaming experience and for scholars who will be analyzing their output on many levels.</p> <p>“As our ability to create evolves, so should the way we study and understand those creations”&nbsp;Cochrane says.&nbsp;</p> </div> <div class="field field--name-field-news-home-page-banner field--type-boolean field--label-above"> <div class="field__label">News home page banner</div> <div class="field__item">Off</div> </div> Fri, 21 Dec 2018 17:22:45 +0000 Christopher.Sorensen 149555 at Ottawa honours ֱ literary theorist Northrop Frye with commemorative plaque /news/ottawa-honours-u-t-literary-theorist-northrop-frye-commemorative-plaque <span class="field field--name-title field--type-string field--label-hidden">Ottawa honours ֱ literary theorist Northrop Frye with commemorative plaque </span> <div class="field field--name-field-featured-picture field--type-image field--label-hidden field__item"> <img loading="eager" srcset="/sites/default/files/styles/news_banner_370/public/Frye-1140-x-760.jpg?h=afdc3185&amp;itok=qsad9ciS 370w, /sites/default/files/styles/news_banner_740/public/Frye-1140-x-760.jpg?h=afdc3185&amp;itok=1asT_9n3 740w, /sites/default/files/styles/news_banner_1110/public/Frye-1140-x-760.jpg?h=afdc3185&amp;itok=Kbhpn9Jy 1110w" sizes="(min-width:1200px) 1110px, (max-width: 1199px) 80vw, (max-width: 767px) 90vw, (max-width: 575px) 95vw" width="740" height="494" src="/sites/default/files/styles/news_banner_370/public/Frye-1140-x-760.jpg?h=afdc3185&amp;itok=qsad9ciS" alt="photo of Northrop Frye "> </div> <span class="field field--name-uid field--type-entity-reference field--label-hidden"><span>Romi Levine</span></span> <span class="field field--name-created field--type-created field--label-hidden"><time datetime="2018-12-07T14:02:47-05:00" title="Friday, December 7, 2018 - 14:02" class="datetime">Fri, 12/07/2018 - 14:02</time> </span> <div class="clearfix text-formatted field field--name-field-cutline-long field--type-text-long field--label-above"> <div class="field__label">Cutline</div> <div class="field__item">ֱ literary theorist Northrop Frye is pictured here in 1974 (photo by Boris Spremo/Toronto Star via Getty Images) </div> </div> <div class="field field--name-field-topic field--type-entity-reference field--label-above"> <div class="field__label">Topic</div> <div class="field__item"><a href="/news/topics/city-culture" hreflang="en">City &amp; Culture</a></div> </div> <div class="field field--name-field-story-tags field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/tags/department-english" hreflang="en">Department of English</a></div> <div class="field__item"><a href="/news/tags/emmanuel-college" hreflang="en">Emmanuel College</a></div> <div class="field__item"><a href="/news/tags/faculty-arts-science" hreflang="en">Faculty of Arts &amp; Science</a></div> <div class="field__item"><a href="/news/tags/humanities" hreflang="en">Humanities</a></div> <div class="field__item"><a href="/news/tags/victoria-college" hreflang="en">Victoria College</a></div> <div class="field__item"><a href="/news/tags/victoria-university" hreflang="en">Victoria University</a></div> </div> <div class="clearfix text-formatted field field--name-body field--type-text-with-summary field--label-hidden field__item"><p>Famed literary theorist and University of Toronto Professor <strong>Northrop Frye</strong> was commemorated on Thursday by the Canadian government with a Historic Sites and Monuments Board of Canada plaque.</p> <p>The plaque will be installed at Victoria College, near a life-size bronze statue of Frye that was commissioned in 2012 in celebration of what would have been his 100th birthday.</p> <p>Frye first came to ֱ as a student in 1929, studying at Victoria College and Emmanuel College before attending Oxford for his master’s degree. He returned to ֱ in 1939, teaching in the department of English at Victoria College until his death in 1991.</p> <p>His seminal works <em>Fearful Symmetry: A Study of William Blake&nbsp;</em>and <em>Anatomy of Criticism: Four Essays&nbsp;</em>cemented his place as one of the 20th century’s most important literary critics.</p> <p>“His systematic approach to literature examined the underlying myths and symbols that inform all of literature, challenged existing critical paradigms, and had a significant international influence, as did his work on the Bible as literature,” reads the plaque. &nbsp;</p> <p><img alt="Plaque unveiling " class="media-image attr__typeof__foaf:Image img__fid__9796 img__view_mode__media_original attr__format__media_original" src="/sites/default/files/plaque-750-x-500.jpg" style="width: 750px; height: 500px; margin: 10px;" typeof="foaf:Image"></p> <p><em>The Northrop Frye commemorative plaque is unveiled on ֱ's downtown Toronto campus (photo by Liz Taylor)</em></p> <p>The plaque-unveiling ceremony, which acknowledged Frye as a “person of national historic significance,” was attended by members of the ֱ community and the Canadian government. They included: <strong>Richard Alway</strong>, chair of the Historic Sites and Monuments Board of Canada,&nbsp;<strong>Carolyn Bennett</strong>, a ֱ alumna and the federal minister of Crown-Indigenous relations, <strong>William Robins</strong>, president of Victoria University, and <strong>Angela Esterhammer</strong>, principal of Victoria College and a professor in the department of English.</p> </div> <div class="field field--name-field-news-home-page-banner field--type-boolean field--label-above"> <div class="field__label">News home page banner</div> <div class="field__item">Off</div> </div> Fri, 07 Dec 2018 19:02:47 +0000 Romi Levine 148629 at 'Is this Toronto?' ֱ professor asks in New York Times after van attack /news/toronto-u-t-professor-asks-new-york-times-after-van-attack <span class="field field--name-title field--type-string field--label-hidden">'Is this Toronto?' ֱ professor asks in New York Times after van attack</span> <div class="field field--name-field-featured-picture field--type-image field--label-hidden field__item"> <img loading="eager" srcset="/sites/default/files/styles/news_banner_370/public/van-attack-memorial.jpg?h=afdc3185&amp;itok=ZxfLJbOO 370w, /sites/default/files/styles/news_banner_740/public/van-attack-memorial.jpg?h=afdc3185&amp;itok=SFl2nu4Y 740w, /sites/default/files/styles/news_banner_1110/public/van-attack-memorial.jpg?h=afdc3185&amp;itok=3rdKpgb- 1110w" sizes="(min-width:1200px) 1110px, (max-width: 1199px) 80vw, (max-width: 767px) 90vw, (max-width: 575px) 95vw" width="740" height="494" src="/sites/default/files/styles/news_banner_370/public/van-attack-memorial.jpg?h=afdc3185&amp;itok=ZxfLJbOO" alt="Photo of van attack memorial"> </div> <span class="field field--name-uid field--type-entity-reference field--label-hidden"><span>geoff.vendeville</span></span> <span class="field field--name-created field--type-created field--label-hidden"><time datetime="2018-04-25T13:33:53-04:00" title="Wednesday, April 25, 2018 - 13:33" class="datetime">Wed, 04/25/2018 - 13:33</time> </span> <div class="clearfix text-formatted field field--name-field-cutline-long field--type-text-long field--label-above"> <div class="field__label">Cutline</div> <div class="field__item">A memorial near the site of the deadly van attack in Toronto (photo by Geoff Robins/AFP/Getty Images)</div> </div> <div class="field field--name-field-topic field--type-entity-reference field--label-above"> <div class="field__label">Topic</div> <div class="field__item"><a href="/news/topics/city-culture" hreflang="en">City &amp; Culture</a></div> </div> <div class="field field--name-field-story-tags field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/tags/department-english" hreflang="en">Department of English</a></div> <div class="field__item"><a href="/news/tags/faculty-arts-science" hreflang="en">Faculty of Arts &amp; Science</a></div> <div class="field__item"><a href="/news/tags/humanities" hreflang="en">Humanities</a></div> <div class="field__item"><a href="/news/tags/university-st-michael-s-college" hreflang="en">University of St. Michael's College</a></div> </div> <div class="clearfix text-formatted field field--name-body field--type-text-with-summary field--label-hidden field__item"><p><img alt class="media-image attr__typeof__foaf:Image img__fid__8156 img__view_mode__media_original attr__format__media_original" src="/sites/default/files/boyagoda-square_0.jpg" style="width: 200px; height: 200px; margin: 10px; float: left; border-width: 0px; border-style: solid;" typeof="foaf:Image"></p> <p>Toronto can no longer take itself for granted in the wake of Monday's van attack, says English professor and principal of University of St. Michael's College <strong>Randy Boyagoda</strong>.&nbsp;</p> <p>“This is not supposed to happen here. After all, this is Toronto,” writes Boyagoda in a <em>New York Times</em> op-ed.</p> <p>The city has long accepted that tragedies on this scale occur in other parts of the world, but not here, he says.</p> <p>“In a world brutalized and shredded by sectarian conflict, Toronto can feel at times like an urban amusement park: it's the most ethnically diverse and pluralist city on the planet, and also, as residents and visitors alike have long both assumed and experienced, the friendliest and safest.”</p> <p>The many people who offered assistance after the attack show why Toronto is&nbsp;a desirable place to live, he says.&nbsp;</p> <p>After a period of public deliberations and investigations, the city will continue to live in relative harmony,&nbsp;“if now with a genuine and credible wariness that will be foreign to us, initially.”</p> <h3><a href="https://www.nytimes.com/2018/04/24/opinion/is-this-toronto.html">Read the full article in the <em>New York Times</em></a></h3> </div> <div class="field field--name-field-news-home-page-banner field--type-boolean field--label-above"> <div class="field__label">News home page banner</div> <div class="field__item">Off</div> </div> Wed, 25 Apr 2018 17:33:53 +0000 geoff.vendeville 134094 at 700 years of the Passover haggada /news/700-years-passover-haggada <span class="field field--name-title field--type-string field--label-hidden">700 years of the Passover haggada </span> <div class="field field--name-field-featured-picture field--type-image field--label-hidden field__item"> <img loading="eager" srcset="/sites/default/files/styles/news_banner_370/public/2018-03-29-haggada-re-sized.jpg?h=afdc3185&amp;itok=OSJgwAB7 370w, /sites/default/files/styles/news_banner_740/public/2018-03-29-haggada-re-sized.jpg?h=afdc3185&amp;itok=j86OGjMH 740w, /sites/default/files/styles/news_banner_1110/public/2018-03-29-haggada-re-sized.jpg?h=afdc3185&amp;itok=ov8ZzxdA 1110w" sizes="(min-width:1200px) 1110px, (max-width: 1199px) 80vw, (max-width: 767px) 90vw, (max-width: 575px) 95vw" width="740" height="494" src="/sites/default/files/styles/news_banner_370/public/2018-03-29-haggada-re-sized.jpg?h=afdc3185&amp;itok=OSJgwAB7" alt="photo of Cohen's book, held open to show illustration of illuminated manuscript"> </div> <span class="field field--name-uid field--type-entity-reference field--label-hidden"><span>lanthierj</span></span> <span class="field field--name-created field--type-created field--label-hidden"><time datetime="2018-03-29T12:05:50-04:00" title="Thursday, March 29, 2018 - 12:05" class="datetime">Thu, 03/29/2018 - 12:05</time> </span> <div class="clearfix text-formatted field field--name-field-cutline-long field--type-text-long field--label-above"> <div class="field__label">Cutline</div> <div class="field__item">(all photos by Diana Tyszko)</div> </div> <div class="field field--name-field-author-reporters field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/authors-reporters/alexa-zulak" hreflang="en">Alexa Zulak</a></div> </div> <div class="field field--name-field-topic field--type-entity-reference field--label-above"> <div class="field__label">Topic</div> <div class="field__item"><a href="/news/topics/our-community" hreflang="en">Our Community</a></div> </div> <div class="field field--name-field-story-tags field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/tags/art" hreflang="en">Art</a></div> <div class="field__item"><a href="/news/tags/books" hreflang="en">Books</a></div> <div class="field__item"><a href="/news/tags/department-english" hreflang="en">Department of English</a></div> <div class="field__item"><a href="/news/tags/faculty-arts-science" hreflang="en">Faculty of Arts &amp; Science</a></div> <div class="field__item"><a href="/news/tags/history" hreflang="en">History</a></div> <div class="field__item"><a href="/news/tags/humanities" hreflang="en">Humanities</a></div> </div> <div class="field field--name-field-subheadline field--type-string-long field--label-above"> <div class="field__label">Subheadline</div> <div class="field__item">ֱ expert explores the most illustrated book in Jewish history</div> </div> <div class="clearfix text-formatted field field--name-body field--type-text-with-summary field--label-hidden field__item"><p>It may be the most illustrated book in Jewish history, but the Passover haggada has never been explored quite like this.</p> <p>“As an art historian and someone familiar with the haggada, the seder and Passover I thought I had the opportunity to fill a gap,” said <strong>Adam Cohen</strong>, an associate professor in the department of the history of art. “No one has written this book before.”</p> <p><a href="https://www.korenpub.com/toby_en_usd/signs-and-wonders.html"><em>Signs and Wonders: 100 Haggada Masterpieces</em></a> is Cohen’s exploration of more than 700 years’ worth of illustrated Passover haggadot – the written guide to the Jewish Passover seder.</p> <p>The illustrated haggada has been the centerpiece of the Passover seder since the Middle Ages. Commemorating the Exodus from Egypt, the haggada guides the seder through prayers, blessings, rituals and more, alongside illustrations that can range from beautiful and complex to spiritual, political and even playful.</p> <p><em>Signs and Wonders</em> is the first art history&nbsp;overview of the entire history of the illustrated haggada. With 166 reproductions of full-colour illustrations set alongside insights into the imagery, artists and historical context, Cohen explores the Middle Ages, Renaissance, Modern period and contemporary times.</p> <p>Cohen set out to write this book seven years ago as a way to explore the panorama of Jewish art and history.</p> <p>“I hope it serves multiple audiences,” said Cohen. “From scholars who are familiar with some of the material, but not all of it, to people who know about some illustrated haggadot but don’t realize the great diversity of material out there.</p> <p>“I carefully weighed and considered which illustrations to include. For every piece of artwork that I included, there are three to five I had to exclude.”</p> <p><img alt="photo of Cohen sitting at table with his book open in front of him" class="media-image attr__typeof__foaf:Image img__fid__7927 img__view_mode__media_original attr__format__media_original" src="/sites/default/files/2018-03-29-cohen-embed.jpg" style="width: 601px; height: 480px; margin: 10px 50px;" typeof="foaf:Image"></p> <p>Cohen poured through more than 2,000 haggadot at institutions like the University of Pennsylvania, Duke University, and here at the University of Toronto, as well as the National Library of Israel in Jerusalem. He gradually narrowed his list down to an even 100.</p> <p>Those familiar with the text may recognize interpretations like the Sarajevo Haggada, or more contemporary examples like the Ben Shahn Haggada. But Cohen made sure to include interpretations that might not be so well known.</p> <p>“Each image in the book was chosen for its own specific reason,” said Cohen. “Interpretations that aren’t so well known showed complexity, depth of thought and interpretive skill or were interesting, innovative and novel.”</p> <p>It's his first departure from academic writing.</p> <p>“Normally you write something, it goes in the library and that’s it,” said Cohen. “But I want people to learn from the book and use it and enjoy it. That’s the satisfaction you get as a teacher and as a writer –&nbsp;people getting enjoyment in learning from your efforts.”</p> <p><strong>Looking for more to read over the long weekend?&nbsp;</strong></p> <p>New York-based <a href="https://www.commonwealmagazine.org/"><em>Commonweal</em> magazine</a> has just published <em>Great Friday</em>, a short-story excerpt from a new novel coming this fall from Professor <strong>Randy Boyagoda</strong>, the award-winning author and principal<strong> </strong>of University of St Michael's College at ֱ.</p> <h3><a href="https://www.commonwealmagazine.org/great-friday">Read the excerpt</a></h3> </div> <div class="field field--name-field-news-home-page-banner field--type-boolean field--label-above"> <div class="field__label">News home page banner</div> <div class="field__item">Off</div> </div> Thu, 29 Mar 2018 16:05:50 +0000 lanthierj 132357 at ֱ alumna Erin Shields’s adaptation of Paradise Lost to première at Stratford Festival /news/u-t-alumna-erin-shields-s-adaptation-paradise-lost-premi-re-stratford-festival <span class="field field--name-title field--type-string field--label-hidden">ֱ alumna Erin Shields’s adaptation of Paradise Lost to première at Stratford Festival</span> <div class="field field--name-field-featured-picture field--type-image field--label-hidden field__item"> <img loading="eager" srcset="/sites/default/files/styles/news_banner_370/public/2018-01-03-shields-resized.jpg?h=afdc3185&amp;itok=urpywjOY 370w, /sites/default/files/styles/news_banner_740/public/2018-01-03-shields-resized.jpg?h=afdc3185&amp;itok=vCO_RU5h 740w, /sites/default/files/styles/news_banner_1110/public/2018-01-03-shields-resized.jpg?h=afdc3185&amp;itok=3Cqw137p 1110w" sizes="(min-width:1200px) 1110px, (max-width: 1199px) 80vw, (max-width: 767px) 90vw, (max-width: 575px) 95vw" width="740" height="494" src="/sites/default/files/styles/news_banner_370/public/2018-01-03-shields-resized.jpg?h=afdc3185&amp;itok=urpywjOY" alt="Photo of Erin Shields"> </div> <span class="field field--name-uid field--type-entity-reference field--label-hidden"><span>noreen.rasbach</span></span> <span class="field field--name-created field--type-created field--label-hidden"><time datetime="2018-01-03T15:29:15-05:00" title="Wednesday, January 3, 2018 - 15:29" class="datetime">Wed, 01/03/2018 - 15:29</time> </span> <div class="clearfix text-formatted field field--name-field-cutline-long field--type-text-long field--label-above"> <div class="field__label">Cutline</div> <div class="field__item">Playwright Erin Shields: "My courses at ֱ became very important sources of inspiration for me" (photo by Sabrina Reeves)</div> </div> <div class="field field--name-field-author-reporters field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/authors-reporters/wajiha-rasul" hreflang="en">Wajiha Rasul</a></div> </div> <div class="field field--name-field-topic field--type-entity-reference field--label-above"> <div class="field__label">Topic</div> <div class="field__item"><a href="/news/topics/city-culture" hreflang="en">City &amp; Culture</a></div> </div> <div class="field field--name-field-story-tags field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/tags/alumni" hreflang="en">ֱ</a></div> <div class="field__item"><a href="/news/tags/department-english" hreflang="en">Department of English</a></div> <div class="field__item"><a href="/news/tags/faculty-arts-science" hreflang="en">Faculty of Arts &amp; Science</a></div> <div class="field__item"><a href="/news/tags/humanities" hreflang="en">Humanities</a></div> </div> <div class="clearfix text-formatted field field--name-body field--type-text-with-summary field--label-hidden field__item"><p>University of Toronto alumna <strong>Erin Shields, </strong>an award-winning playwright,<strong> </strong>will see her adaptation of <em>Paradise Lost </em><a href="https://www.stratfordfestival.ca/WhatsOn/PlaysAndEvents/Production/Paradise-Lost">première at the Stratford Festival</a>&nbsp;this summer.&nbsp;</p> <p>Shields, who graduated&nbsp;from the department of English at ֱ in 2008, is now a playwright living in Montreal. Her plays have been translated into various languages, and produced at the Shaw Festival, the Tarragon Theatre and many other theatres across Canada.</p> <p>In 2011 she won the Governor General’s Literary Award for English-language drama for&nbsp;<em>If We Were Birds</em>. She has also been nominated for numerous awards, including the Susan Smith Blackburn Prize, the&nbsp;K.M. Hunter Artist Award, and five Dora Mavor Moore Awards. She recently won a Montreal English Theatre Award for best new text for her play,&nbsp;<em>Instant.</em></p> <p>Shields says she loves&nbsp;the communal experience of both making and watching plays and sees theatre as a radical antidote to our ever-increasing isolation from one another. Most of her work is a reimagining of established narratives through a contemporary lens.&nbsp;</p> <p>Professor<strong> Paul Stevens</strong>, chair of the department of English in the Faculty of Arts &amp; Science, who&nbsp;inspired Shields on John Milton’s <em>Paradise Lost</em>, <a href="https://www.stratfordfestival.ca/WhatsOn/PlaysandEvents/TheForum/Original-Sin">will be joining her in a panel discussion about original sin</a> as part of the Stratford Festival’s Forum Events.</p> <p>Shields spoke to <strong>Wajiha Rasul</strong> of the department of English about her adaptation of <em>Paradise Lost</em>.&nbsp;</p> <hr> <p><strong>What made you interested in Milton’s work? </strong></p> <p>I was raised in the Anglican church and was always captivated by the stories – particularly the stories in the Old Testament. They were full of drama and action and fear and violence. I would pore over a copy of an illustrated children’s Bible, taking in the screaming sinners escaping the flood waters, a terrified Isaac with a knife pressed to his neck, King Solomon holding a naked baby by its ankle threatening to cut it in half and, of course, Eve biting into the apple with the wily serpent looking on. That first story, in particular, captivated me as a child. Was it possible that every human came from Adam and Eve? What exactly was original sin and how did it work? Could I really be blamed for something someone else had done?</p> <p>In my third year studying English literature at the University of Toronto, I enrolled in a course to study John Milton through an intertextual study of <em>Paradise Lost</em> and scripture. My professor,&nbsp;<strong>Paul Stevens</strong>, is the person who really cracked open <em>Paradise Lost</em> for me. He approached the text with respect, but also a healthy dose of irreverent humour. His passionate, often provocative lectures, led us on a journey through the text. We did not work chronologically, but rather thematically examining the Old Testament from a Protestant perspective in an attempt to comprehend Milton’s relationship to the Bible. Stevens facilitated an in-depth investigation that linked the texts so completely, I often felt as though I was observing a dialogue between the texts, not only noting the Bible’s influence on <em>Paradise Lost, </em>but also the impact Milton had had on a contemporary reading of the Bible.</p> <p>At the completion of that class, I knew my curiosity for both texts had only just begun.</p> <p><strong>Why&nbsp;<em>Paradise Lost</em>? </strong></p> <p><em>Paradise Lost</em> stayed with me after that course. The theatrical potential beckoned to me and I made a couple of pieces, before this one, using <em>Paradise Lost</em> as source material. With the support of the Ontario Arts Council, I co-directed (with Lisa Pijuan-Nomura) a 13-artist, multidisciplinary interpretation of <em>Paradise Lost</em>. Through theatre, modern dance, puppetry, stand-up comedy, flamenco, bouffon, tabla, electronic music, storytelling and spoken word, we led 13 artists in an integrated investigation of the text. The piece was presented in a cabaret-style event at Lula Lounge in Toronto. Five years later, I wrote a one-woman show which examined the idea of original sin from a feminist perspective. Finally, I decided I was ready to take on the whole poem and proposed a contemporary, theatrical adaptation to the Stratford Festival.&nbsp;&nbsp;</p> <p><strong>What different perspective will your adaptation of&nbsp;<em>Paradise Lost</em>&nbsp;offer?</strong></p> <p>Adapting a classical text, as I have done many times before, is an act of interacting with an author who is no longer alive. I work to understand author’s intent and, at the same time, consider my own relationship to the material, examining the text through my own Canadian, contemporary, female lens. It is a process of negotiation between staying faithful to the author’s intent and asserting my own opinions. The choices are both big and small. Milton, for example, transformed the Garden of Eden into an English garden. I have transformed it into a Canadian wilderness, specifically the woods of Northern Ontario where I spent my summers as a child. The mighty pines, the Canadian Shield, the blueberry bushes, the cry of the loons on the lakes – this is my paradise.</p> <p>Milton’s portrayal of the gender dynamics between Adam and Eve are a reflection of his time. My Adam and Eve are a reflection of mine in that I have endeavoured to create an equitable power dynamic between them, an equality which is ultimately undone by the fall and Eve’s punishment. Also, my rebellious Satan is female and she speaks to directly to our contemporary secular audience, telling this iconic story from her perspective, contextualizing it for our time.</p> <p><strong>Your adaptation of <em>Paradise Lost</em> will première at the Stratford Festival – what does it mean to you? </strong></p> <p>When I was 11 years old, my parents booked tickets to see <em>The Merchant of Venice </em>at the Stratford Festival. Before seeing the play, my father thought it would be a good idea for us to read the play together aloud. Each night, my father and I would sit in the living room and he would patiently listen to me stumble through the text. Of course I played Portia, so there were quite a number of big speeches to work my mouth around. We discussed the text as we went and little by little I came to understand what I was reading. The language was like a puzzle. I remember getting to the end of the courtroom scene and being astonished that Shylock was ordered to become a Christian. Despite what he had done, that consequence seemed completely unjust.</p> <p>When we walked into the enormous festival theatre, I was blown away by the size of it. I felt so small and the stage seemed so large. As the play came to life, I was delighted to discover that I could follow along. I could laugh as Portia made fun of her suitors. I could feel Jessica’s desperation to get away from her strict father. I could feel the love between Antonio and Bassanio. When the play neared the end of the courtroom scene, I waited for Antonio to insist that Shylock become a Christian. To my surprise, that line never came. Why not? Did the actor forget his line? Or did the director agree with me that that punishment seemed too harsh? Whatever it was, I had noticed it. I had known the text so well, that I had noticed when something had been omitted. This made me feel empowered and completely in love with the theatre.</p> <p>After that, we made a yearly pilgrimage to Stratford to see Shakespeare’s greatest hits. We continued to read the text aloud before we went, our cast growing to eventually include my three younger sisters. Seeing those plays was really the beginning of my love of theatre.</p> <p>So yes, it is a big deal. It is a huge deal that one of my plays will première at the Stratford Festival.&nbsp;&nbsp;</p> <p><strong>How helpful was your degree in English in pursuing your dream career?</strong></p> <p>My English degree was my second degree. I trained as an actor at Rose Bruford College of Speech and Drama (now the Rose Bruford College of Theatre and Performance) in London, England, from 1996-1999. For the next few years after I graduated, I worked as an actor in Toronto and quickly discovered that in order to be consistently working, I had to make opportunities for myself. That’s how I started playwriting. While I’d loved my practical acting training, I felt I had missed the opportunity to read. To spend time with language and literature and intelligent professors who had spent a considerable amount of time thinking about language and literature. That’s why I decided to do a second degree in English literature. And I completed three years of that degree (I bypassed my first year because of my other degree) in five years.</p> <p>Throughout my studies, I was constantly making theatre. My courses at ֱ became very important sources of inspiration for me. Many of my early works are connected, in some way, to the reading and thinking I did for my degree. That is perhaps why many of my pieces today are contemporary adaptations of canonical texts.</p> <p>&nbsp;</p> </div> <div class="field field--name-field-news-home-page-banner field--type-boolean field--label-above"> <div class="field__label">News home page banner</div> <div class="field__item">Off</div> </div> Wed, 03 Jan 2018 20:29:15 +0000 noreen.rasbach 126260 at ֱ's Randy Boyagoda's idiosyncratic survey of great Canadian reads /news/u-t-s-randy-boyagoda-s-idiosyncratic-survey-great-canadian-reads <span class="field field--name-title field--type-string field--label-hidden">ֱ's Randy Boyagoda's idiosyncratic survey of great Canadian reads</span> <div class="field field--name-field-featured-picture field--type-image field--label-hidden field__item"> <img loading="eager" srcset="/sites/default/files/styles/news_banner_370/public/2017-12-15-the-conversation-resized.jpg?h=9e499333&amp;itok=Er9lP41M 370w, /sites/default/files/styles/news_banner_740/public/2017-12-15-the-conversation-resized.jpg?h=9e499333&amp;itok=FFNP4hPI 740w, /sites/default/files/styles/news_banner_1110/public/2017-12-15-the-conversation-resized.jpg?h=9e499333&amp;itok=8wL9Wwf5 1110w" sizes="(min-width:1200px) 1110px, (max-width: 1199px) 80vw, (max-width: 767px) 90vw, (max-width: 575px) 95vw" width="740" height="494" src="/sites/default/files/styles/news_banner_370/public/2017-12-15-the-conversation-resized.jpg?h=9e499333&amp;itok=Er9lP41M" alt="Photo of a book"> </div> <span class="field field--name-uid field--type-entity-reference field--label-hidden"><span>noreen.rasbach</span></span> <span class="field field--name-created field--type-created field--label-hidden"><time datetime="2017-12-15T12:23:03-05:00" title="Friday, December 15, 2017 - 12:23" class="datetime">Fri, 12/15/2017 - 12:23</time> </span> <div class="clearfix text-formatted field field--name-field-cutline-long field--type-text-long field--label-above"> <div class="field__label">Cutline</div> <div class="field__item">ֱ English professor and novelist Randy Boyagoda recommends five from his personal Canadian literature library (photo by João Silas/Unsplash)</div> </div> <div class="field field--name-field-author-reporters field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/authors-reporters/randy-boyagoda" hreflang="en">Randy Boyagoda</a></div> </div> <div class="field field--name-field-topic field--type-entity-reference field--label-above"> <div class="field__label">Topic</div> <div class="field__item"><a href="/news/topics/our-community" hreflang="en">Our Community</a></div> </div> <div class="field field--name-field-story-tags field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/tags/department-english" hreflang="en">Department of English</a></div> <div class="field__item"><a href="/news/tags/humanities" hreflang="en">Humanities</a></div> <div class="field__item"><a href="/news/tags/conversation" hreflang="en">The Conversation</a></div> </div> <div class="field field--name-field-subheadline field--type-string-long field--label-above"> <div class="field__label">Subheadline</div> <div class="field__item"> </div> </div> <div class="clearfix text-formatted field field--name-body field--type-text-with-summary field--label-hidden field__item"><p>What better season than winter to curl up with some interesting books?<em> The Conversation</em> went to ScotiaBank Giller Prize-nominated novelist and University of Toronto English professor <strong>Randy Boyagoda </strong>and asked him to recommend to us five of his personal book choices from the shelves of Canadian literature.</p> <p>Randy Boyagoda published his first novel, <em>Governor of the Northern Province</em>, in 2006, followed by <em>Beggar’s Feast </em>in 2011. His new novel, <em>Original Prin</em>, is forthcoming in 2018.</p> <p>He&nbsp;surveyed his shelves and here are his five idiosyncratic choices:</p> <h3><em>Black Robe</em></h3> <p>Written by Brian Moore (1985)</p> <figure class="align-left "><img alt src="https://images.theconversation.com/files/199103/original/file-20171213-27568-15q0foc.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=237&amp;fit=clip"> <figcaption><span class="caption"></span></figcaption> </figure> <p><em>Black Robe</em> is historical fiction set in 17<sup>th</sup>-century Canada – meaning New France. It’s a novel involving an encounter that French Jesuit missionaries have with members of the Algonquin, Huron and Iroquois.</p> <p>What I found so remarkable about the book is its potential contribution to our contemporary conversation about truth and reconciliation, especially given that it was written in a very different cultural moment.</p> <p>I think the book is honest and bracing and has a certain spaciousness of vision that attempts to provide full and meaningful lives for every character.</p> <p>&nbsp;</p> <p>&nbsp;</p> <h3><br> <em>Arrival: The Story of CanLit</em></h3> <p>Written by Nick Mount (2017)</p> <figure class="align-right "><img alt src="https://images.theconversation.com/files/199097/original/file-20171213-27575-2fdzdh.jpg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=237&amp;fit=clip"> <figcaption><span class="caption"></span></figcaption> </figure> <p><a href="http://www.english.utoronto.ca/facultystaff/facultyprofiles/mount.htm"><em>Arrival</em>&nbsp; (Anansi) by <strong>Nick Mount</strong></a>, has rightly been generating a great deal of both public and critical attention this fall.</p> <p>Nick’s book is an ambitious and readable effort to tell the story of how we went from being a nation without a literature to a literature without a nation. The book explores a specific interest in what we might think of as the “boom time” of Canadian literature, from the late '60s through the early '70s.</p> <p>What I found especially interesting about Nick’s book is his willingness to offer a series of evaluations, ratings even, of various Canadian novels. We live in a culture that sometimes shies away from making aesthetic and critical judgments. I think what’s great in <em>Arrival</em> is that Nick invites us to read these books and disagree with him.</p> <p>&nbsp;</p> <h3>The Great Canadian Novel</h3> <figure class="align-left "><img alt src="https://images.theconversation.com/files/199104/original/file-20171213-27575-1eyutze.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=237&amp;fit=clip"> <figcaption><span class="caption"></span></figcaption> </figure> <p>I’m trying to decide whether I disagree with Nick when he says in his book, <em>Arrival</em>, that <em>The Double Hook</em><strong> </strong>by Sheila Watson (1959), which is a slim and complex mid-century Canadian novel, is the Great Canadian Novel.</p> <p>That’s a big claim. If I <em>were</em> going to make the same claim, I’d assign that honour to <em>Solomon Gursky Was Here</em> by Mordecai Richler (1989).</p> <p>I’ve decided to read <em>Double Hook</em> in the coming weeks and decide if I agree with Nick or not.</p> <p>&nbsp;</p> <p>&nbsp;</p> <p><br> &nbsp;</p> <h3><em>The Way of the Strangers</em></h3> <p>Written by Graeme Wood (2017)</p> <figure class="align-right "><img alt src="https://images.theconversation.com/files/199105/original/file-20171213-27562-1x75u3y.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=237&amp;fit=clip"> <figcaption><span class="caption"></span></figcaption> </figure> <p><em>The Way of the Strangers</em> is a work of striking literary journalism. It recently won the Governor General’s Award for non-fiction. Wood is best known for his cover story in <em>The Atlantic</em> two years ago, on ISIS. His book is a series of first-person essays, travelogues and analyses of radical Islam.</p> <p>Wood goes to various Middle Eastern states, places in the U.S., and elsewhere. There’s wide, personal contact with people in various forms of radicalization and he’s also subjected to various attempts at conversion – reading about that is also fascinating.</p> <p>Wood’s care, seriousness and persuasive criticisms of radical Islam shows that understanding his subject only in political terms or as a misrepresentation of Islam does not do justice to the complex and riven reality of contemporary Islam. As an outsider who’s interested in these matters, I found the book really engaging.</p> <p>A news-minded audience would find a book like this of real interest. It really does give you a sense of the inner lives of people who have committed to a radical interpretation of Islam and are trying to live that out in the world around them.</p> <p>The quality of writing and reporting is excellent and the book is especially timely now for obvious reasons. I think that it will be an important historical document in global affairs 30 years from now.<br> &nbsp;</p> <h3><em>Fifteen Canadian Poets x 2</em></h3> <p>Edited by Gary Geddes (1978)</p> <figure class="align-left "><img alt src="https://images.theconversation.com/files/199107/original/file-20171213-27558-1rhwjcj.jpeg?ixlib=rb-1.1.0&amp;q=45&amp;auto=format&amp;w=237&amp;fit=clip"> <figcaption><span class="caption"></span></figcaption> </figure> <p>My last pick involves a family tradition.</p> <p>Most Sunday nights, the Boyagoda family gathers in our own library and we each read a poem. I choose my Sunday poem out of <em>Fifteen Canadian Poets x 2</em> edited by Gary Geddes. It came out in 1978. The book was a very important and timely anthologizing of new Canadian poetry and also at that point, established poets. There are people in there ranging from E.J. Pratt to then emerging voices, such as Michael Ondaatje and Margaret Atwood.</p> <p>When I pick out a writer of that anthology, the writers&nbsp;I go for most often are poets like P.K. Page, Raymond Souster and Alden Nowlan. Here are people who write beautiful, arresting, strange and funny poetry. Reading from it is a double break: It’s a nice break, frankly, from the usual suspects, and it also introduces my American-born wife, who has a PhD in 20<sup>th</sup>-century American and Caribbean poetry, I add, and our American children, to all the wonders of Canadian literature, poetically.</p> <p><em><span><a href="https://theconversation.com/profiles/randy-boyagoda-428729">Randy Boyagoda</a>&nbsp;is a professor of English and Principal and Vice-President of the University of St. Michael's College at ֱ.</span></em></p> <p><em>This article was originally published on <a href="http://theconversation.com">The Conversation</a>. Read the <a href="https://theconversation.com/an-idiosyncratic-survey-of-great-canadian-reads-88826">original article</a>.</em></p> </div> <div class="field field--name-field-news-home-page-banner field--type-boolean field--label-above"> <div class="field__label">News home page banner</div> <div class="field__item">Off</div> </div> Fri, 15 Dec 2017 17:23:03 +0000 noreen.rasbach 124877 at Health humanities: The ֱ expert behind the multidisciplinary program /news/health-humanities-u-t-expert-behind-multidisciplinary-program <span class="field field--name-title field--type-string field--label-hidden">Health humanities: The ֱ expert behind the multidisciplinary program </span> <div class="field field--name-field-featured-picture field--type-image field--label-hidden field__item"> <img loading="eager" srcset="/sites/default/files/styles/news_banner_370/public/2017-09-18-charise.jpg?h=afdc3185&amp;itok=RAZ9Lx4b 370w, /sites/default/files/styles/news_banner_740/public/2017-09-18-charise.jpg?h=afdc3185&amp;itok=H0zNXang 740w, /sites/default/files/styles/news_banner_1110/public/2017-09-18-charise.jpg?h=afdc3185&amp;itok=nc8bU1ix 1110w" sizes="(min-width:1200px) 1110px, (max-width: 1199px) 80vw, (max-width: 767px) 90vw, (max-width: 575px) 95vw" width="740" height="494" src="/sites/default/files/styles/news_banner_370/public/2017-09-18-charise.jpg?h=afdc3185&amp;itok=RAZ9Lx4b" alt="Photo of Andrea Charise"> </div> <span class="field field--name-uid field--type-entity-reference field--label-hidden"><span>rasbachn</span></span> <span class="field field--name-created field--type-created field--label-hidden"><time datetime="2017-09-18T00:00:00-04:00" title="Monday, September 18, 2017 - 00:00" class="datetime">Mon, 09/18/2017 - 00:00</time> </span> <div class="clearfix text-formatted field field--name-field-cutline-long field--type-text-long field--label-above"> <div class="field__label">Cutline</div> <div class="field__item">Andrea Charise: "What attracts me to health humanities is how it asks researchers and educators to think about the relationship between the creative imagination of health and illness" (photo by Jennifer Rowsom)</div> </div> <div class="field field--name-field-author-reporters field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/authors-reporters/wajiha-rasul" hreflang="en">Wajiha Rasul</a></div> </div> <div class="field field--name-field-author-legacy field--type-string field--label-above"> <div class="field__label">Author legacy</div> <div class="field__item">Wajiha Rasul</div> </div> <div class="field field--name-field-topic field--type-entity-reference field--label-above"> <div class="field__label">Topic</div> <div class="field__item"><a href="/news/topics/our-community" hreflang="en">Our Community</a></div> </div> <div class="field field--name-field-story-tags field--type-entity-reference field--label-hidden field__items"> <div class="field__item"><a href="/news/tags/department-english" hreflang="en">Department of English</a></div> <div class="field__item"><a href="/news/tags/faculty-arts-science" hreflang="en">Faculty of Arts &amp; Science</a></div> <div class="field__item"><a href="/news/tags/university-toronto-scarborough" hreflang="en">University of Toronto Scarborough</a></div> <div class="field__item"><a href="/news/tags/humanities" hreflang="en">Humanities</a></div> </div> <div class="clearfix text-formatted field field--name-body field--type-text-with-summary field--label-hidden field__item"><p>University of Toronto's&nbsp;<strong>Andrea Charise&nbsp;</strong>is the lead developer of Canada’s first undergraduate program in health humanities, which looks at&nbsp;the impact of the humanities and critical social sciences on health.</p> <p>Charise, assistant professor,&nbsp;English and Interdisciplinary Centre for Health &amp; Society at University of Toronto Scarborough, is also the&nbsp;founding director of SCOPE: The Health Humanities Learning Lab, an arts- and humanities-based research and education initiative.&nbsp;</p> <p>“Health humanities or medical humanities, as it’s also sometimes called, can take a few different forms,” Charise says. “One approach involves more theoretical considerations of health, illness, disability and embodiment, as well as the aesthetics of representing illnesses like AIDS, cancer, dementia or depression in various creative media. But the field also encompasses more applied, hands-on practices: the use of arts-based health interventions such as art therapy, 'narrative medicine,' universal design, and health-care architecture, to name just a few.”</p> <p>Health humanities&nbsp;has a broader and, arguably, more inclusive purview – than medical humanities, she says.&nbsp;“Because my own research involves investigating matters of health and illness as they exist outside of exclusively medical spaces&nbsp;–&nbsp;for example, in my work with allied health professionals (like nurses) or non-health-professional 'laypeople'&nbsp;–&nbsp;I prefer to use the language of health humanities,” she says. “But the politics of naming this field is an important issue that anyone interested in this field should be familiar with.”</p> <p>She spoke to the department of English's&nbsp;<strong>Wajiha Rasul</strong>.</p> <hr> <p><strong>What shaped your interest in the relationship between the humanities, health and medicine?</strong></p> <p>What attracts me to health humanities is how it asks researchers and educators to think about the relationship between the creative imagination of health and illness, and how those ideas get put to work in the real world.</p> <p>It’s common to hear criticisms of the arts and humanities as somehow disengaged from the urgency of contemporary life; and of course it’s essential to protect the creative arts from reductive assessments of their “use.” That said, health humanities offers us a powerful, concrete opportunity to argue for the value of the arts and humanities in the 21<sup>st </sup>century – especially for people, disciplines or communities that aren’t used to thinking about the arts as something other than a nice hobby.</p> <p>My own interest in the relationship between the humanities, health and medicine began when I was in grade school. My two favourite subjects were English and biology, but for much of my undergraduate and graduate career, my interest in the connection between arts and health felt a bit inchoate – a sense that was often reflected back at me by family members, teachers, advisers or other well-meaning people who would say things like, “well, you're either a science or an arts person,” or “that’s nice, but you’re going to have to choose one someday!” Even while I was doing my master’s degree, I got strong messages that my interests in arts and health were eccentric and that I’d have to come around if I wanted to be employable.</p> <p>A turning point came – intellectually and professionally – when I was hired as a research associate in geriatric medicine at Parkwood Hospital in London, Ont. Much of the research I did at Parkwood focused on how to improve elder care curriculum in undergraduate medical education. One intervention involved an intergenerational dance initiative, which we discovered&nbsp;had the effect of improving medical students’ attitudes toward working with older people. For me, this project highlighted the potential for community-based arts interventions to improve health outcomes, medical education, and health delivery more generally, especially concerning older people.&nbsp;</p> <p><strong>How does literature facilitate what you want to understand about health?</strong></p> <p>&nbsp;Paying attention to the texture of creative representations of health and illness help us understand how thoroughly steeped in metaphor, symbol and narrative our accounts of the body are – and have been for a very long time. For example, in the book that I’m completing now, entitled <em>Aging, Population, and the Nineteenth-Century Literary Imagination</em>, I examine how literary portraits of aging were entangled with increasingly medicalized ideas about what it meant to grow old.</p> <p>Nineteenth-century Britain and Europe became increasingly attracted toward aging as a medical issue, but&nbsp;even as methods of understanding the body became more recognizably empirical, they still relied on deeply imaginative, even speculative, ideas of why bodies grew old. For example, immortality science was so closely connected with the political radicalism of the French Revolution, that a range of physicians, philosophers, and literary writers (like William Godwin, father of <em>Frankenstein</em> author Mary Shelley) believed that by manipulating thought and language we might avoid growing old entirely.</p> <p>This sounds pretty far out, until you see how researchers in our own time have made similar claims about the life-shortening effects of ageist language, policies and beliefs. What literature helps me realize is how thoroughly our understanding of the body – even in the ostensibly neutral or objective realm of medicine and research – depends upon deeply symbolic patterns and aesthetic concerns.</p> <p><strong>What potential careers can health humanities offer to its graduates?</strong></p> <p>Bioethics, health law, health communication, disability studies, medical illustration, art-based therapy, and health design are just a few potential career pathways; Health humanities is also part of the curriculum of a growing number of health professions including medicine, nursing, and rehabilitation sciences.</p> <p>Working with my graduate and undergraduate researchers (<strong>Katherine Shwetz</strong>, <strong>Mehdia Hassan</strong>, and <strong>Mariam Rashid</strong>), we’ve compiled a <a href="https://www.utsc.utoronto.ca/labs/scope/wp-content/uploads/sites/10/2017/08/Health-Humanities-Education-and-Career-Pathways.pdf">Health Humanities Postgraduate Education and Career Pathways</a> resource that outlines a wide range of potential careers – with a focus on Canadian opportunities.&nbsp;</p> <p>The good news is that health and allied health professions are increasingly open to collaborating with folks who have the special skills traditionally emphasized by humanities disciplines – including critical reading and thinking, close reading, oral and written communication, visual literacy, and narrative analysis.</p> <p>If you’re an undergraduate or graduate student interested in pursuing this interdisciplinary field as a career, check out resources like <a href="http://www.utsc.utoronto.ca/labs/scope/about/">SCOPE: The Health Humanities Learning Lab</a> for more information on how to get involved.</p> <p><strong>Tell us about your own research in health humanities?</strong></p> <p>As a literary scholar with more than 15 years’ experience as a medical researcher (primarily in geriatrics), it’s clear to me that growing old is far more than just a physiological or biological phenomenon. What my interdisciplinary research aims to do is highlight the fascinating texture of aging, which is far more complex than the usual platitudes regarding decline or so-called “successful” aging.</p> <p>My research and teaching are committed to demonstrating how the arts and humanities are especially valuable materials for exploring the many different meanings and expressions of aging – so I’m especially glad to have been chosen as the first recipient of the Digital Scholars Fellowship, co-sponsored by the Jackman Humanities Institute and University of Toronto Scarborough, to explore the special affordances of a digital approach to age studies and health humanities more generally.</p> <p><strong>What is the future of health humanities?</strong><br> <br> An interdisciplinary field like health humanities has many possible futures, but one important thread to follow will be how the relationship between arts, humanities, and health – how this intersection is taught, researched, and funded – plays out in different national contexts. The fact that North America, for example, is home to multiple public and private health-care systems means that our understanding of how the arts can – or should – be brought to bear on matters of health and illness is dependent upon these contexts.</p> <p>The amplification of voices, experiences, and communities that have been historically marginalized or exploited in the name of health care, research, and policy is another necessary future for this field. If you’re interested, I’ve just recently written about these issues in an article for the <a href="https://link.springer.com/epdf/10.1007/s10912-017-9445-5?author_access_token=bsNU9fXCT4eKUvW4UPiYgPe4RwlQNchNByi7wbcMAY6MhOXHH3M8yPeObEX4wgk0YQT2YwxEaBKjk8_dp7YwoLqBBwBVrEZokIORJP8pR3qcqZgdxgl3wZFG1KLLa9sNycJnWTujJvuL3d7pUM6jeg==).">Journal of Medical Humanities</a>. &nbsp;</p> <p>&nbsp;</p> </div> <div class="field field--name-field-news-home-page-banner field--type-boolean field--label-above"> <div class="field__label">News home page banner</div> <div class="field__item">Off</div> </div> Mon, 18 Sep 2017 04:00:00 +0000 rasbachn 115629 at